Saturday, August 22, 2020
Georgia Oââ¬â¢Keeffe Essays -- Historiography
Georgia Oââ¬â¢Keeffe is one of the most celebrated and questionable painters known to America. As indicated by workmanship pundit Lisa Mintz Messinger, ââ¬Å"She [Georgia Oââ¬â¢Keeffe] left behind a rich heritage of American pictures that were attached to the land. These pictures and her own spearheading soul, built up a distinguished notoriety in America at an opportune time in her careerâ⬠(Messinger 17). Oââ¬â¢Keeffe is most popular for her huge artistic creations of blossoms, the New York horizon and scenes from New Mexico. Since the time Georgia Oââ¬â¢Keeffe started giving her work in 1916, pundits have had various feelings on what her artistic creations spoke to. Probably the greatest discussion with respect to her works of art has been whether her artistic creations were sensual. The absolute greatest pundits of her works are Robert Hughes, Lisa Mintz Messinger, Katherine Hoffman and Georgia Oââ¬â¢Keeffe herself. Every one of the four of these individuals have helped shape Oââ¬â¢Keeffe into a notable figure of explicitly charged works of art. Georgia Oââ¬â¢Keeffe first came into the lime light after her companion Anita Pollitzer presented some of Oââ¬â¢Keeffeââ¬â¢s attempts to the well known Alfred Stieglitz (Hoffman 5). Indeed, even from these first charcoal drawings, pundits saw the sensuality in her show-stoppers. Probably the greatest pundit of her work is the prominent Robert Hughes. In his book, American Visions: The Epic History of Art in America, Hughes investigates American artistsââ¬â¢ works, including Oââ¬â¢Keeffe. As indicated by Hughes, ââ¬Å"Much ink has been spilled on the subject of whether Oââ¬â¢Keeffe ever embarked to utilize explicitly genital pictures; she herself angrily denied it, and particularly wouldn't face any sexual translation of the enormous close-ups of blossoms she painted in the twenties. To prevent the sexuality from securing an artistic creation like Black Iris III, 1926,... ...a Bricker. ââ¬Å"Review: Stieglitz.â⬠Stieglitz 55.2 (1996): 105-106. Web. 23 October 2009. Cowart, Jack, et al. Georgia O'Keeffe: Art and Letters. Washington; Boston: National Gallery of Art; New York Graphic Society Books, 1987. Print. Hoffman, Katherine, and Georgia O'Keeffe. An Enduring Spirit: The Art of Georgia O'Keeffe. Metuchen: Scarecrow Press, Inc., 1984. Print. Hughes, Robert. American Visions: The Epic History of Art in America. first ed. New York: Alfred A. Knopf, Inc., 1997. Print. Messinger, Lisa Mintz, Metropolitan Museum of Art, and Georgia O'Keeffe. Georgia O'Keeffe. New York: Thames and Hudson Inc.; Metropolitan Museum of Art, 2001. Print. Middleton, Ken.ââ¬Å"1920ââ¬â¢s: American Women through Time.â⬠www.frankmtsu.edu. N.d. Web. 25 Sep. 2009. ââ¬Å"Introduction to Modern Art.â⬠metmuseum.org. The Metropolitan Museum of Art. 18 June 2009. Web. 25 Sep. 2009.
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